NewBlue Titler Pro 4
NewBlue Titler Pro 4 Price: USD119
It s time to get the sophisticated results you need with the Titler Live.
Same with Grass Valley.
The second thing you need to know is that, like opening After Effects for the first time, it is easy to get overwhelmed.
It s a little bit confusing as to what you get, based on the type of license you have, so let s break it down before we talk about Titler Pro 4.
WHAT YOU ALREADY HAVE
there will be a visual dissonance that the audience will feel uneasy about.
We ve made Titler Pro 5 even easier to learn with an optimized workspace, improved drag-n-drop workflow,
That can kill their billable hours as such solutions tend to be a steep learning curve and demand as much attention as the editor s core NLE.
It just doesn t jive, and looks like your really didn t understand the point of the date.
NewBlue Titler Pro 4
On first loading Titler Pro 4, you are presented with the ability to choose from a number of presets (depending on which tier of the software you have purchased) or the ability to create your own titles from scratch.
You ve taken Number 1, added it to a clip, and have entered text.
It s like dressing down for a walk on the beach, and then throwing on cufflinks and cumber bun.
like maybe you re only creating a static title, you can easily shut it off by simply toggling the “Elastic” parameter, until the orange and green bars disappear.
Apply it, and you ll immediately see the Sequence window updated with a simple title.
the more I m impressed by it, and I can definately say at this point that if you re a Media Composer editor and you ve used Titler Pro in the past and didn t like it
Let s say, for example, you used a template for a title.
But seriously, any editor who finds themselves also being responsible for the finish edit, complete with titles and graphics, is a candidate for Titler Pro.
Everything is easy to find and quickly adjustable in real-time.
NewBlue Titler Pro 4
With new workflow enhancements, PSD import, and OpenFX support, it s clear why this is a favorite among professional editors.
If you ve never used TP, please do not judge it based on version 1 or 2 that you currently get for free, as it has made huge leaps and bounds that we re going to cover in this review.
A very cool and welcome addition.
We are editors without titling, assuming we re working in larger than HD projects.
The first is the bare bones “Titler Pro 4” version.
We ll get to 3D in a little bit.
You ll notice in the top left corner, you have the Project Library.
Producing your own title template is just a nightmare and also sometimes works if you are extremely patient… In addition the software is not always stable, looks obsolete,
So, about four pages into my review, I stopped.
Even too much contrast (black on white) can work against readability if the weight and size of the text is off.
Rather than keyframing every move (we also do keyframing btw) it is often most effective to dig into the Transitions Library and drop some Swinging Text, or Bubble Up moves, or Type On effects, etc.
if you are further pushed for time, as I previously mentioned, Titler Pro comes with a vast number of preset looks, effects, transitions and animations that can easily be dragged from the library directly onto any object in the scene and then easily tweaked to suit.
Titling is an important part of the editing process.
Well, it seems pretty straightforward, but let s see what happens when we jump into FX mode.
On-Air Lower Thirds Collection, PrimeTime Styles Collection, Reflections Styles Collection, and probably most importantly, the After Effects version of the plug-in.
In real 3D space, simply with the dragging of the “Extrude” parameter in the Style tab.
I won t be paying more for a “plug-in than the cost of the editing program! I have many more inexpensive plug-ins that can “do the job”.
The last thing that I want to mention, is how TP4 handles templates.
Dynamic titles in under a minute.
I felt like I was reviewing Motion or Final Cut.
And so they open one title, work on it, close it, then open the next.
Leveraging the fully featured design tool, create your titles from scratch or use the built-in, professionally-designed templates.
I think it s important now to move on and talk about some big things that will really impress editors.
Based on NewBlue s best-selling titling tool for desktop, the Titler Live series delivers a range of options for every live streaming professional.
It couldn t be any simpler.
best buy newblue titler pro 4 mac
In particular, shows with heavy lower thirds or messaging can benefit.
It asks you “Do you want to – Apply to Template – Apply to Title – Discard Changes – Cancel”.
Avid Media Composer editors are in an interesting time right now.
We ll get more into this in just a second.
NewBlue Titler Pro 3
NewBlue Titler Pro 2